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| The Fault in Our Stars |
(2014)
The Fault in Our Stars Hazel and Gus are two young people who offer a sour wit, a hatred for the routine, and a love that breadths them on an adventure. Their relationship is all the more wonderful given that Hazel's other steady buddy is an oxygen tank, Gus jokes about his prosthetic leg, and they met and experienced passionate feelings for at a malignancy help supportive network The Fault in Our Stars Movie.
8.5 Your rating: -/10 Ratings: 8.5/10 from 20,089 users Metascore: 69/100
Reviews: 125 user | 121 critic
Director: Josh Boone
Stars: Shailene Woodley, Ansel Elgort, Nat Wolff
Writers: Scott Neustadter (screenplay), Michael H. Weber (screenplay),
Casting
- Shailene Woodley as Hazel Grace Lancaster
- Ansel Elgort as Augustus Waters
- Laura Dern as Frannie Lancaster
- Nat Wolff as Isaac
- Mike Birbiglia as Patrick
- Sam Trammell as Michael Lancaster
- Lotte Verbeek as Lidewij Vliegenthart
- Willem Dafoe as Peter van Houten
- Ana Dela Cruz as Dr. Maria
- David Whalen as Mr. Waters
- Emily Bach as Monica's mom
- Emily Peachey as Monica
Music
The Fault in Our Stars (Music from the Motion Picture) is the soundtrack for The Fault in Our Stars. The full track rundown was discharged on April 13, 2014, and was organized by Nate Walcott and Mike Mogis of Bright Eyes. It incorporates a couple of prominent specialists like Kodaline, Birdy and Ed Sheeran, the recent of whom composed the melody for the end credits ("All of the Stars")
The soundtrack was discharged in North America on May 19, 2014, and is expected for discharge in ahead of schedule June in the UK.
The lead single from the soundtrack is Charli XCX's commitment "Blast Clap", which appeared on April 11, 2014, and the music feature for which debuted June 2. A music feature for Ed Sheeran's "The majority of the Stars" was discharged May 9, 2014. Music features were additionally discharged for Birdy's "Tee Shirt" on June 6, 2014 and "Not About Angels" on June 12, 2014.
All of the Stars Ed Sheeran
- Simple as This Jake Bugg
- Let Me In Grouplove
- Tee Shirt Birdy
- All I Want Kodaline
- Long Way Down Tom Odell
Boom Clap Charli XCX
- While I'm Alive- STRFKR
- Oblivion - Indians
- Strange Things Will Happen -The Radio Department
- Bomfalleralla- Afasi & Filthy
- Without Words- Ray LaMontagne
- Not About Angels-Birdy
- No One Ever Loved- Lykke Li
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| The Fault in Our Stars |
Released on Thursday, Jun 19 2014
The Fault in Our Stars
movie This
is not a story where lovely individuals learn delightful lessons,"
Shailene Woodley's damned, honorable 16-year-old Hazel cautions us in the
opening minutes of The Fault in Our Stars. In adjusting the story of the
star-crossed sentiment between two adolescent growth exploited people,
screenwriters Scott Neustadter and Michael H Weber obviously know they have a
daunting struggle to abstain from being tarred with the same schmaltzy brush as
past entrances in the sub-kind (Nicholas Sparks adjustment A Walk to Remember
being the doubtful model) The Fault in Our Stars.
The trailers for Fault, in which Woodley and co-star Ansel
Elgort grasp on an ideal waterway side seat in Amsterdam trading universe
resisting statements of adoration, have done little to ward off the
examination, or to move trust in the opening voiceover's guarantee. Be that as
it may this is a reliable adjustment of John Green's raving success novel,
which is in itself a far blacker, spikier and rawer undertaking than the log
line proposes, and it succeeds by holding his mix of dim funniness and straight-talking
assessment The
Fault in Our Stars movie.
While a test pill has purchased her a couple of careful
years, Hazel is terminal, a depicted toward oneself ticking time shell played
with hearty impact by Woodley. In a help supportive network, she meets Gus
Waters (Elgort), a strapping, especially certain and apparently all-knowing
hunk who lost a leg to his growth yet is currently abating, and straddling a
doubtful separation between player, geek and soul creature The Fault in Our Stars.
To the sincerely close down Hazel, he gets something similar
to a manic pixie dream kid, stubbornly batting aside her fatalistic disposition
while matching her affinity for philosophical considering. Green's characters
are nothing if not hyper-abstract, or to be less magnanimous, bombastic –
"There's dependably a hamartia, isn't there?" Hazel sighs in
frustration after Gus hauls out a cigarette, which regularly ends up being a
figurative cigarette The Fault in Our Stars movie.
.
In the event that you can move beyond the way that these are
the sort of adolescents who easily toss Aristotle references into their
exchange, the wooing is touching and convincingly drawn; as Hazel holds up
restlessly for Gus to content her, you sense this is the first occasion when
she's had the advantage of typical adolescent young lady issues. In the long
run, Gus sweet talks her into a wish-satisfaction excursion to Amsterdam to
reach her most loved creator, a straying that works preferred on screen over it
did on the page because of a fun, bristly turn from Willem Dafoe The Fault in Our
Stars film.
Much the same as Natalie Portman in Garden State or Kirsten
Dunst in Elizabethtown or any viable MPDG you want to name, Gus' principle
capacity is to educate the hero how to grasp life, and accordingly the
sentiment feels imbalanced – a few key progressions from the novel make Gus
into considerably even more a dream, and even to a lesser extent a true teen
kid with his evil presences. Elgort appears to be naturally more at home when
the splits at last start to show, and its all the more compelling due to how
viably The Augustus Waters Persona has beforehand been created. Hazel, however,
is a completely existed in character from the beginning The Fault in Our Stars.
It's painfully clear that underneath the curve posing is a
sweet, overpowered child attempting her best in an incomprehensible
circumstance, and Neustadter and Weber don't shortchange her home life for the
focal sentiment. Her extreme blame and fear about how her guardians (Laura Dern
and Sam Trammell) will adapt after her passing move a percentage of the film's
most tweaking and possible minutes.
The script is self-referential all through, with Hazel's
voiceover at one point marking a late plot improvement "one of the less
bulls**tty assemblies of the disease sort". The portrayal of malignancy
stricken adolescents as their own particular sort of portrayed toward oneself
subculture, with their own particular principles and in-jokes and feeling of
profound quality, feels really new, and there's rich dark satire wrung from
Hazel's trio with Gus and his closest companion Isaac (Nat Wolff), whose own
medication has abandoned him dazzle. While Boone stays away from an excess of
elaborate twists, the bunch's quick message trades show up on-screen with a
stream that feels energetic and current The Fault in Our Stars.
In any case what eventually makes the film flabbergasting,
and provides for its third demonstration such supported tragic force, is its
stoicism. Innumerable open doors for acting are left behind for an
overwhelmingly matter-of-reality tone – the closest Hazel gets to railing
against her sad presence is a solitary calm, practically disposable line to
Gus: "I truly don't need this specific life." Her nasal oxygen tube,
a staple from the book which a lesser interpretation could have extracted for
the sake of marvelousness, remains a telling vicinity in even the most idealist
minutes The
Fault in Our Stars.
Sincere yet never garish, The Fault in Our Stars is a sharp
and inwardly complex weepie that permeates its adolescent characters with
uncommon knowledge, and handles its depressing topic with sour wit and del The Fault in Our
Stars movie.
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