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| The Chronicles of Narnia: The Lion, the Witch and the Wardrobe |
(2005)
Narnia movie Four children go through a wardrobe to the place where there is Narnia and learn of their fate to free it with the direction of a magical lion Narnia film.
6.9 Your rating: -/10 Ratings: 6.9/10
from 220,540 users Metascore: 75/100
Reviews: 1,447 user | 281 critic
Director: Andrew Adamson
Stars: Tilda Swinton, Georgie Henley, William Moseley
Writers: Ann Peacock (screenplay), Andrew Adamson (screenplay)
More Casting
- William Moseley as Peter Pevensie, the eldest of the four Pevensie children.
- Skandar Keynes as Edmund Pevensie, the third of the four Pevensie children.
- Anna Popplewell as Susan Pevensie, the second eldest child of the four Pevensie children.
- Tilda Swinton as Jadis, the White Witch, the main antagonist of the film who holds Narnia under an eternal winter without Christmas or Spring or Summer.
- Georgie Henley as Lucy Pevensie, the youngest of the four Pevensie children.
- Liam Neeson voices Aslan, the great lion who was responsible for creating Narnia.
- James McAvoy as Mr. Tumnus, a faun who at first works for the White Witch, but befriends Lucy Pevensie and joins Aslan's forces
- Ray Winstone voices Mr. Beaver, a beaver who helps lead the children to Aslan.
- Dawn French voices Mrs. Beaver, a beaver who helps lead the children to Aslan.
- Jim Broadbent as Professor Digory Kirke, an old professor. He lets the children stay at his country estate during the war.
- Elizabeth Hawthorne as Mrs. Macready, Kirke's strict housekeeper.
- Kiran Shah as Ginarrbrik, the White Witch's servant dwarf.
- James Cosmo as Father Christmas. He gives Peter, Susan, and Lucy their Christmas gifts.
- Michael Madsen as the voice of Maugrim, a wolf who is captain of the White Witch's secret police.
- Shane Rangi as General Otmin, a minotaur who is second-in-command of the White Witch's army.
- Morris Cupton as Train Guard, the guard of the train Peter, Susan, Edmund and Lucy ride.
- Patrick Kake as Oreius, a centaur who is second-in-command of Aslan's army.
- Judy McIntosh as Helen Pevensie, the mother of the four Pevensie children.
- Rupert Everett as the voice of a fox who helps the children along their way to Aslan.
- Cameron Rhodes as the voice of a Gryphon who helps Peter in the war.
- Noah Huntley as the adult Peter Pevensie, who has grown up as a king in Narnia.
- Sophie Winkleman as the adult Susan Pevensie, who has grown up as a queen in Narnia.
- Producer Philip Steuer voices Phillip, Edmund's talking horse.
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| The Chronicles of Narnia: The Lion, the Witch and the Wardrobe |
The Chronicles of Narnia: The Lion,
the Witch and the Wardrobe movie
I compose this with all due appreciation to
executive Michael Apted, his performers, whatever is left of his innovative
group and even C.s. Lewis himself. Anyway, truly, is there anybody out there
who really thinks about these Narnia motion pictures? Was there a huge
clamoring during the current second continuation? Might anybody's reality end
if the last four books remained where they've likely constantly had a place –
on bookshelves?
There must be a given crowd some place, as The Lion, the
Witch and the Wardrobe and Prince Caspian raked in a few genuine film industry
money. Unquestionably, The Voyage of the Dawn Treader will surpass Tangled and
the boundlessly better most recent Harry Potter than own the weekend, giving
Fox and Walden Media sufficient reason to dial up the following one Narnia.
Anyway seldom has an epic film arrangement left less of an
engraving. Lewis' Narnian mythology is summarily shortchanged here, converted
into a senseless, dull family experience film with monsters, secretive fogs and
a for the most part languid mentality. Apted, a fine executive not known for
his huge-plan ability, brings not a shred of freshness to the venture, which
gloats the clearing vistas, tracks over water, seaborne fight and
"enchanting" animals one now anticipate from a standard dream
establishment The Chronicles of Narnia:
The Lion, the Witch and the Wardrobe movie .
The story concerns the most youthful Pevensies, Edmund
(Skandar Keynes) and Lucy (Georgie Henley), who are cleared into an ocean
painting and came back to Narnia alongside their standoffish cousin Eustace
(Will Poulter). There, they join King Caspian (Ben Barnes) on board the boat
the Dawn Treader, as they look the high oceans for a mysterious Macguffin
including missing astute men, their swords and a fearless mouse named
Reepicheep (Simon Pegg).
The stakes for a swashbuckling, enormous plan experience
couldn't in any way, shape or form appear easier. Narnia, we're told, is in
peril, but since the whole of the Narnia successions occur on board the Dawn
Treader, or on remote islands, its tricky to feel the risk. The best epic dream
arrangement drench you in the ordinary points of interest of their planets,
praising the stunningness and ponder in the commonplace. Here, the gathering of
people is as far evacuated from standard Narnia as the characters on board the
vessel, so the whole handling feels self-encased, as though the main wellbeing
being gambled is that of the figures onscreen The Chronicles of Narnia: The Lion, the Witch and the
Wardrobe .
The second real lead damaged by this ordinary material: the
nonappearance of a lowlife. The White Witch, so importantly played by Tilda
Swinton, exists on just in Edmund's subconscious. She's supplanted by, yes, a
subversive fog that preys on the brain research of this it harasses by bringing
about, well, concise, minor mind flights. In the event that there's anything
The Mist, the Frank Darabont-Stephen King adjustment from a couple of years
back demonstrated its that a fog is just terrifying in a film coordinated by
Frank Darabont, in light of a Stephen King story Narnia.
The performers all do the recognized British thing and their
attractive, cleaned stresses just further light up the way that the characters
are all firm, one-dimensional bores. Pressure, put something aside for some
exceptionally mellow jarring between Eustace and Reepicheep, doesn't exist
here, even as the Dawn Treader sails to "the apocalypse Narnia."
Marvels of the sort that extraordinary onscreen mythologies
are made of are truant too. There's the captivating house that emerges out of
slim air, the undetectable, one-footed bumblers that grab Lucy and very little
else that resembles innovativeness. The last fight is pursued against, yes, an
ocean beast.
It's all extremely cleaned, and looks average in 3d, so a
reasonable rate of the Narnia gathering of people ought to turn out fulfilled,
regardless of the possibility that the most captivating identities – Jesus the
Lion, the White Witch and even the two more seasoned Pevensies – are scarcely
around. However in the event that Voyage of the Dawn Treader never perpetrates
the offense of being astoundingly, clumsily awful, its blameworthy of what may
be a much more evil wrongdoing: significant average qu The Chronicles of Narnia: The Lion, the Witch and the
Wardrobe movie .
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