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| Dawn of the Planet of the Apes |
(2014)
Dawn of the Planet of the Apes A developing country of hereditarily developed chimps headed by Caesar is undermined by a band of human survivors of the wrecking infection unleashed 10 years prior. They achieve a delicate peace, yet it demonstrates brief, as both sides are brought to the verge of a war that will figure out who will rise as Earth's prevailing species Dawn of the Planet of the Apes Movie.
8.8 Your rating: -/10 Ratings: 8.8/10 from 3,730 users Metascore: 82/100
Reviews: 29 user | 19 critic
Director: Matt Reeves
Stars: Gary Oldman, Keri Russell, Andy Serkis
Writers: Rick Jaffa, Amanda Silver,
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| Dawn of the Planet of the Apes |
Humans
Jason Clarke as Malcolm, a survivor of the ALZ-113 virus who, along with a small group of other survivors, forms a strong bond with the apes and Caesar.
Gary Oldman as Dreyfus, the leader of the surviving humans who wants to kill all the apes and get "revenge" for the deaths of his wife and two sons from the virus.
Kodi Smit-McPhee as Alexander, Malcolm's teenage son.
Keri Russell as Ellie, a former nurse with the CDC and survivor of the virus. She is Malcolm's second wife, Alexander's step-mother and knows the virus wasn't caused by the apes.
Kirk Acevedo as Carver, a member of Malcolm's group. He has an attitude problem and a strong hatred for apes.
Jocko Sims as Werner, an ally of Dreyfus.
Kevin Rankin as McVeigh
Enrique Murciano as Kempt, a member of Malcolm's group.
Additionally, James Franco, who played Dr. Will Rodman in Rise, is seen in a "posthumous cameo via video"
Keir O'Donnell as Finney
Evolved Apes
Andy Serkis as Caesar, a common chimpanzee who is the leader of the apes, king of the ape colony, husband of Cornelia, and father of River and an infant son. He is also the honorary uncle of Rocket's son, Ash.
Terry Notary as Rocket, a common chimpanzee who is Caesar's second-in-command and one of his most trusted friends. Because of this, he is Caesar's children's honorary uncle.
Judy Greer as Cornelia, Caesar's wife, mother of River and a newborn son, and honorary aunt of Ash.
Toby Kebbell as Koba, Caesar's ruthless bonobo adviser who believes his leader is too affectionate towards humans.
Karin Konoval as Maurice, Caesar's Bornean orangutan third-in-command and member of the ape council who gets captured and held hostage by Koba.
Nick Thurston as River, Caesar and Cornelia's teenage son, honorary nephew of Rocket, and honorary cousin and best friend of Ash.
Doc Shaw as Ash, Rocket's teenage son, Caesar and Cornelia's honorary nephew, and River's best friend and honorary cousin.
Soundtrack
The movie score was composed by Michael Giacchino. The soundtrack will be released by Sony Masterworks on August 12, 2014
Track listing
Dawn of the Planet of the Apes All music composed by Michael Giacchino, except as noted.
Title
- "Level Plaguing Field"
- "Look Who’s Stalking"
- "The Great Ape Processional"
- "Past Their Primates"
- "Close Encounters of the Furred Kind"
- "Monkey to the City"
- "The Lost City of Chimpanzee"
- "Along Simian Lines"
- "Caesar No Evil, Hear No Evil"
- "Monkey See, Monkey Coup"
- "Gorilla Warfare"
- "The Apes of Wrath"
- "Gibbon Take"
- "Aped Crusaders"
- "How Bonobo Can You Go"
- "Enough Monkeying Around"
- "Primates for Life"
- "Planet of the End Credits"
- "Ain’t That a Stinger"
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| Dawn of the Planet of the Apes |
A fast montage at the start of "Dawn of the Planet of the Apes" fills us
in on what has happened since "Ascent of the Planet of the Apes."
Three years have passed by for us in the gathering of people, and around 10
years for the arranged primates on the screen. James Franco and a huge number
of other individuals are dead, casualties of a deadly infection and the normal
end of the world creating sickness of hubris. After a time of savagery and
confusion, the survivors have cobbled together a sensibly steady society in the
vestiges of San Francisco, with Gary Oldman in control Dawn of the Planet of the Apes Movie.
Continue reading the main story
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Dawn of the Planet of the Apes At the same time this is not
"Sunset of the Planet of the Humans." The exhibition of yet an
alternate frantic populace, crouched together in the wake of disaster to
anticipate the following zombie, outsider, robot or beast assault, would be
unrealistic to motivate much energy. The true investment lies over the battered
Golden Gate Bridge, in Marin County, where our evolutionary cousins, under the
kindhearted direction of an upright-strolling chimpanzee named Caesar, have
assembled their own particular human advancement. As opposed to the wrinkled
human province, the chimp camp is a flourishing city-state with different wooden
building design, trained steeds, a refined (for the most part marked) dialect
and an instructive framework supervised by Maurice, the tender, copper-furred
orangutan who gave the first film an additional fillip of soul Dawn of the Planet of the Apes.
The sylvan, simian Athens in the Muir Woods is a momentous
accomplishment and a critical piece of what makes "Dawn of the Planet of
the Apes" administered by Matt Reeves from a script by Rick Jaffa, Amanda
Silver and Mark Bomback, the best of this current summer's huge scale, enormous
studio establishment films. In truth, this isn't a high bar to clear:
"superior to 'Transformers 4' " scarcely considers commendation, even
with a shout mark. Be that as it may dissimilar to that toy-crushing spectacle
— and not at all like 2014's appearances from the "Bug Man,"
"X-Men" and "Godzilla" cash trains — "First
light" is more than a cluster of infrequently exciting movement groupings,
enthusiastic gut punches and disposable jokes masterminded in foreseeable
grouping. It is actually noteworthy and instinctively energizing, beyond any
doubt, yet it likewise provides for you a considerable measure to think, and
even to give a second thought, about Dawn
of the Planet of the Apes Film.
Beginning with the chimps themselves. In the last credits,
Andy Serkis gets top charging for his execution as Caesar, a part that keeps on
redefiing screen acting in the computerized age. His facial statements and
non-verbal communication are so reminiscently and unequivocally rendered that
it is difficult to say where his specialty closes and the choice cunning of
Weta Digital, the enhanced appearances organization, starts. The same is valid
for the other primary chimp entertainers: Karin Konoval (Maurice); Nick
Thurston (Caesar's child Blue Eyes); Judy Greer (Caesar's wife, Cornelia); and
particularly Toby Kebbell as Koba, Caesar's lieutenant and consequent foe Dawn
of the Planet of the Apes.
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| Dawn of the Planet of the Apes |
Caesar, who saw the liberal, delicate side of mankind when
he was hanging out with Mr. Franco and Freida Pinto, is ready to assume the
best about our kind. There is a lot of proof — both in the film and past it —
to backing Koba's perspective, yet the film descends decisively, and possibly
verging on excessively squishily, as an afterthought of tolerance and
collaboration. The primate and human social orders are parallel primitive
patriarchies (ladies support and stress, while men lead and battle, a baffling
however barely astounding disappointment of creative ability on the movie
producers' part), and they are debilitated by symmetrical splits. As Koba
restricts Caesar, so does Malcolm (Mr. Clarke's character) end up progressively
conflicting with Dreyfus (Mr. Oldman), who sees the gorillas as a mortal danger
to be defied with greatest ruthlessness Dawn
of the Planet of the Apes.
The contentions — generally, about whether the limits of
solidarity ought to stay inside the
tribe or broaden past it — give "First light of the Planet of the Apes" a pleasant symbolic
strength. The old films, which knocked the socks off and harried the slumber of
numerous youngsters in the '60s and '70s (counting junior Bobby Draper in
Season 6 of "Maniacs"), touched base during an era of racial
clash, natural tension and a general
feeling of social breakdown. From that point forward, true to life engineering
has developed from elastic veils to advanced figure,
also our reasons for alarm and desires have changed, as
well, making "Planet of the Apes" a less conceptual, all the more
hauntingly prompt story Dawn of the Planet of the Apes.
Keeping in mind "Ascent" discovered space for
abundance in the shadow of disaster — somewhat on the grounds that it appeared
to be so reasonably energized by its own particular resourcefulness —
"Sunrise," its title regardless, paints a darker, scarier picture
without bounds. It likewise has a grave, agonizing magnificence, heightened by
Michael Giacchino's wild and unobtrusive score and by the profound, verdant
shadows of Michael Seresin's cinematography. Mr. Reeves has a fine feeling of
visual subtle element furthermore of the expert articulation of nonverbal
trades between characters, digitally improved and overall. (Ms. Russell and
Kodi Smit-Mcphee, as her juvenile child, do particularly agile work in
restricted parts.) The film is brimming with little, vital minutes and gathered
with different identities on both sides of the chimp human divide.in different
words, its a fulfilling motion picture and a sample — a dispiritingly uncommon
one nowadays — of what standard Hollywood filmmaking Dawn of the Planet of the Apes Movie
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